Watching this film after a good number of years, I
understand what makes this tick and what makes this more than just a ghost
flick. Sure, it has its thrills and chills. Kidman portrays perhaps the
ultimate worrying and doting mother. The greatest appeal to this is perhaps
Grace’s (Kidman) ordeal: raising two children without help. To add to this her
headstrong daughter who in a number of ways is a clone of herself.
This
didn’t seem like an atypical ghost flick. The veil was slowly fading and holes
formed in certain spots. I found the gradual thinning of the veil well plotted.
Though creepy, there was a certain beating heart to it. There was also a
balance between plot and character.
Grace
wasn’t flexible in her beliefs, and in a way, she used her faith as a crutch
and an amnesia agent. Perhaps her in inflexibility allowed for her to forget
she was dead and earthbound. This puts her at odds with her daughter Anne, to
use the pun, a free spirit. Grace’s own perception of her strength turned out
to be her own weakness. What happens when an unbreakable shield meets a spear
that pierces everything? She contradicts herself and when Anne mentions it,
Grace hates it.
The
dynamic between Nicolas and Anne is typical of sibling relationships, which isn’t
detrimental to the story at all. The fact Anne noticed these things at let her
curiosity guide her is something worth noting. She was perhaps one of three
people who could get through to Grace. The other being Nicolas. However,
Nicolas’ timidity restrained him to his mother’s hip. The other was her
husband, who through the events of the war, became lost after his death and
repeated his meeting and departure.
I
couldn’t help but notice a possible reference to Shakespeare: the weather. This
was a dead giveaway. When the weather is severe, something is amiss. The fog
acts as a signifier and a barrier.
The
most effective aspect of this film was the focus on the tragic instead of the
violent. Violent death, particularly murder-suicide, leave marks. However,
sometimes revealing that information has more impact that displaying it. “Is
that how she killed you?” Just the reaction alone by Grace and the children was
more than enough ‘violence’ for the film.
Psychological
trauma is often more than enough to help bring the plot of this film to light.
Mrs. Mills said it best, “we don’t always have all the answers”. Granted Grace
knew enough to live her life and care for her children, but she failed to see
beyond that little world of hers, hence why she disregarded the living and her
own actions.
If there would be one thing I would criticize was the revealing of the gravestones and not so much the book of the dead. The gravestone image seemed cliché in some sense. Though, it is not unheard of for family members to be interred on private property instead of a cemetery. However, the practice is likely illegal in this century
The other thing to note about the gravestones is they belonged to the hired help. Are we really to believe they buried their servants on their property? I doubt that very much. And I agree the whole "oh no, cover up the gravestones" was so "in your face" with its secret that you knew something was amiss.
ReplyDeleteI think you bring up a great point about Grace's character and how her personality could tie in to her inability to accept what she has done to her children. I also thought that Anne was more like her mother than Grace wants to admit. Furthermore, unlike Nicolas, who mindlessly follows her, Anne questions her, and there are hints that she remembers what Grace did to them. Also, Joe-la, you bring up a great point about the servants. Why would the family burry them on their property. I know some families buried servants who were close to the family in the family cemetery, but this is just randomly placed under a tree.
ReplyDeleteI agreed that the comment, "Is that how she killed you?" summed up the violent part without going into detail. The story about the mother and two children didn't need the violence in it and would've been out of place. It's a family tragedy.
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